8.01 - Mini Picspam with meta-ish thoughts
Oct. 7th, 2012 07:41 pmI can't stop thinking about how familiar many of the scenes were in episode 8.01. I love the deliberate choices to "call back" or mirror past episodes. It not only uses our past knowledge of those moments but it also gives them extra significance by being used again.
I thought I'd take a little look at those moments.
1. Monster of the Week:
As I mentioned in my episode reaction, the very beginning is similar to many episode beginnings. We usually have a scene where innocent victims are terrorised and often killed (or munched!) by the MotW. They started this episode much the same, only this time the "monster" turned out to be Dean (poignant yeah?!)
The scene in 8.01 reminded me more specifically of the beginning of 1.02 (Wendigo).
The next few scenes are direct comparisons to 4.01 (Lazarus Rising). I love how Dean's return from Purgatory is mirrored in his return from Hell.
2. The Walk:
I think of this as a symbolic of Dean's journey. I'm sure Dean being framed in green is deliberate in both scenes. Green represents new beginnings and a sense of life and health. Opposite to the places he's emerged from.
3. The Testing:
Testing for the supernatural in each other has now become a returning from the grave ritual. We've seen it when Dean returned from Hell in 4.01, Sam from Hell in 6.01 and now both Dean and Sam in 8.01. It's a motif now - they usually come in threes. Each time it tells us something about the state of their relationship. This time Dean is all business (similar to Sam when Sam returned from the Cage) and Sam is "we've done this enough to know we're each other". So cool!
4. The hug
Another returning from the grave ritual. No wonder Dean was all "Well let's do this. Come here". They've done it so many times now. If we looked at each hug we could see how their response offers a window to their states of mind when it happens - that's probably for another picspam though. Here Dean seems thoroughly warmed and relieved. And Sam, even though surprised, does seem equally warmed. Dean likes to close his eyes when he hugs Sam. He gets totally immersed in the hug. (Different to the way he hugs Benny you will notice. All smiles but no eye closing...)
5. Sam with a mysterious woman:
I think this is an interesting comparison. 4.01 presented us with a "mysterious" woman with Sam in the beginning of the episode. She later turned out to be Ruby. Here we have another woman who Sam has obviously had a relationship with. I think it's no accident that each time one brother is without the other they form a relationship with another person. I think Lisa understood it. The boys aren't able to sustain a healthy relationship with another person when they have each other. (Epic love story I tells ya!)
6. The Impala's key toss: (no good pics for this one I'm sorry...)
The keys to the Impala have become very symbolic over the course of the show. They have been used quite a few times now to represent the various stages in the boys relationship (I plan to do a mini picspam on this later on so will examine each of those later). Twice now Sam has looked after the Impala while Dean has been away and both times he's tossed the keys back to Dean upon his return. I love that they chose to mirror the tossing action from 4.01. A handing back of the Impala is a ritual now.
7. Sammy's "who me?" face.
Both times Sam has handed back the Impala Dean has spotted something different with his car. The first time the iPod and this time the dog smell. Such great mirroring.
8. The phone call:
I'm not sure if this is a deliberate "mirror" as such but Dean's sneaky phone call to Benny reminded me very much of his phone call to John in Home. There's been a suggestion that Dean has become more like John in this episode (military man) so I wonder if this was done for that reason? I think it's possibly done like this to emphasis that Dean is keeping this from Sam - much like he did his phone call to John in Home.
There may be some others but they are the ones the came to mind on the first viewing. I do love that they have chosen to present the scenes like this. It raises the question...what will be different this time and why?
I thought I'd take a little look at those moments.
1. Monster of the Week:
As I mentioned in my episode reaction, the very beginning is similar to many episode beginnings. We usually have a scene where innocent victims are terrorised and often killed (or munched!) by the MotW. They started this episode much the same, only this time the "monster" turned out to be Dean (poignant yeah?!)
The scene in 8.01 reminded me more specifically of the beginning of 1.02 (Wendigo).
![]() | ![]() |
The next few scenes are direct comparisons to 4.01 (Lazarus Rising). I love how Dean's return from Purgatory is mirrored in his return from Hell.
2. The Walk:
I think of this as a symbolic of Dean's journey. I'm sure Dean being framed in green is deliberate in both scenes. Green represents new beginnings and a sense of life and health. Opposite to the places he's emerged from.
![]() | ![]() |
3. The Testing:
Testing for the supernatural in each other has now become a returning from the grave ritual. We've seen it when Dean returned from Hell in 4.01, Sam from Hell in 6.01 and now both Dean and Sam in 8.01. It's a motif now - they usually come in threes. Each time it tells us something about the state of their relationship. This time Dean is all business (similar to Sam when Sam returned from the Cage) and Sam is "we've done this enough to know we're each other". So cool!
![]() | ![]() |
4. The hug
Another returning from the grave ritual. No wonder Dean was all "Well let's do this. Come here". They've done it so many times now. If we looked at each hug we could see how their response offers a window to their states of mind when it happens - that's probably for another picspam though. Here Dean seems thoroughly warmed and relieved. And Sam, even though surprised, does seem equally warmed. Dean likes to close his eyes when he hugs Sam. He gets totally immersed in the hug. (Different to the way he hugs Benny you will notice. All smiles but no eye closing...)
![]() | ![]() |
![]() | ![]() |
5. Sam with a mysterious woman:
I think this is an interesting comparison. 4.01 presented us with a "mysterious" woman with Sam in the beginning of the episode. She later turned out to be Ruby. Here we have another woman who Sam has obviously had a relationship with. I think it's no accident that each time one brother is without the other they form a relationship with another person. I think Lisa understood it. The boys aren't able to sustain a healthy relationship with another person when they have each other. (Epic love story I tells ya!)
![]() | ![]() |
6. The Impala's key toss: (no good pics for this one I'm sorry...)
The keys to the Impala have become very symbolic over the course of the show. They have been used quite a few times now to represent the various stages in the boys relationship (I plan to do a mini picspam on this later on so will examine each of those later). Twice now Sam has looked after the Impala while Dean has been away and both times he's tossed the keys back to Dean upon his return. I love that they chose to mirror the tossing action from 4.01. A handing back of the Impala is a ritual now.
7. Sammy's "who me?" face.
Both times Sam has handed back the Impala Dean has spotted something different with his car. The first time the iPod and this time the dog smell. Such great mirroring.
![]() | ![]() |
8. The phone call:
I'm not sure if this is a deliberate "mirror" as such but Dean's sneaky phone call to Benny reminded me very much of his phone call to John in Home. There's been a suggestion that Dean has become more like John in this episode (military man) so I wonder if this was done for that reason? I think it's possibly done like this to emphasis that Dean is keeping this from Sam - much like he did his phone call to John in Home.
![]() | ![]() |
There may be some others but they are the ones the came to mind on the first viewing. I do love that they have chosen to present the scenes like this. It raises the question...what will be different this time and why?
















no subject
Date: 2012-10-07 11:56 am (UTC)no subject
Date: 2012-10-07 12:01 pm (UTC)Oh and yes! Boy wrestling when Sam is out of the hunting life. Indeed! And Dean ends up on top?! *dies*
no subject
Date: 2012-10-07 12:08 pm (UTC)no subject
Date: 2012-10-07 12:12 pm (UTC)no subject
Date: 2012-10-07 12:17 pm (UTC)Sam is interesting because on each return he has seemed "different" to the one we know. In 4.01 there was uproar that Sam slept with Ruby (well, her innocent vessel) and was sneaking off behind Dean's back and in 6.01 that he was so cold and horrible to Dean. In both cases it turned out he had reasons for this. I have absolutely no doubt he'll have reasons for not looking for Dean as the story unfolds in S8. So exciting.
no subject
Date: 2012-10-07 12:19 pm (UTC)no subject
Date: 2012-10-07 12:19 pm (UTC)no subject
Date: 2012-10-07 12:21 pm (UTC)no subject
Date: 2012-10-07 12:23 pm (UTC)And yeah - the mirrors or shout outs aren't unusual in SPN. I love that they do that and have used it so effectively in this episode. And I certainly had a sense that things have moved forward. That's why these devices are so effective - we can clearly see what has changes.
xx
no subject
Date: 2012-10-07 12:26 pm (UTC)(and there was that line..."because of our deep, abiding love for each another"...)
no subject
Date: 2012-10-07 12:50 pm (UTC)The scene in 8.01 reminded me more specifically of the beginning of 1.02 (Wendigo).
This reminded me not just of Wendigo itself, but of the moment in Two Minutes to Midnight when Sam asks Dean if he remembers how simple their lives were when they just hunted wendigos. Dean didn't remember then - too much political nonsense in the air - but now he remembers: the purity of it. Except, as you say, he's coming at it from the other side.
It's a motif now - they usually come in threes. Each time it tells us something about the state of their relationship. This time Dean is all business (similar to Sam when Sam returned from the Cage) and Sam is "we've done this enough to know we're each other". So cool!
I think it's interesting how much this operates as a mirror image of Lazarus Rising. There Dean was frightened and confused and had no idea what had happened to him. He was so desperate to have people believe him and help him work out what was going on that the idea that they might think he wasn't himself didn't occur to him until he was ducking blows. Sam tried to kill Dean because he'd given up hope of ever getting his brother back and assumed this was a monster coming to hurt him.
This time Dean knows exactly what happened to him (even if we don't!), and that constant stream of action pushes the possibility of talking about it into the background. And Sam never doubts that it is Dean, either because he's fully committed to not hunting, or because he knows something we don't.
I'm not sure if this is a deliberate "mirror" as such but Dean's sneaky phone call to Benny reminded me very much of his phone call to John in Home. There's been a suggestion that Dean has become more like John in this episode (military man) so I wonder if this was done for that reason?
I think the interesting difference is that, really, in We Need to Talk About Kevin Dean is answering the phone - I mean, technically he's calling Benny back, but it was Benny who initiated the contact. In Home, Dean was pouring out his worries to John's voicemail because he hadn't yet learnt to talk to Sam; here it's Benny who wants to discuss what has happened to them. Dean's back to not being able to talk to Sam, because they get like that when they've been apart, but there's no pretence that anything else will work.
no subject
Date: 2012-10-07 01:13 pm (UTC)It makes for an interesting balance. Feels like things have been both shaken up and yet also become more grounded.
no subject
Date: 2012-10-07 01:43 pm (UTC)And hon, I am all for a hug comparison analysis at some point ::bats eyes winningly::
no subject
Date: 2012-10-07 02:52 pm (UTC)The boys aren't able to sustain a healthy relationship with another person when they have each other.
So true! It's actually rather sad, when you stop to think about it. But, this is the relationship we love!! This dysfunctional, co-dependent relationship between the boys is what we can't seem to get enough of.
(Epic love story I tells ya!)
I don't slash pair Sam and Dean but, yeah, pretty much. I've always been a fan of the bromance. (I maintain that The Outsiders started it all) But Sam and Dean have set the bar so high I wonder if any other or future bromance will ever be able to live up to it.
no subject
Date: 2012-10-07 03:00 pm (UTC)IDK, but I think I want to rewatch to see the differences and if it speaks to how much has changed since then (and how much is the same between them).
Otherwise, I'm kinda happily lost in thought over "4. the hug" and "6. & 7. the Impala and Sam's face". <33
no subject
Date: 2012-10-07 03:23 pm (UTC)no subject
Date: 2012-10-07 03:43 pm (UTC)no subject
Date: 2012-10-07 04:04 pm (UTC)no subject
Date: 2012-10-07 04:23 pm (UTC)Edit. I had noticed a few of them myself. But seeing them side by side is very cool. Plus I was very distracted by The Walk. It was done on a stretch of road they've used so many times before and which I've walked myself. Made me smile.
no subject
Date: 2012-10-07 04:29 pm (UTC)no subject
Date: 2012-10-07 04:40 pm (UTC)I hope you can write a review and explain why. (You used to write nice reviews of the show.) So far, most of the fans seem to think the exact opposite of Sam's feelings about Dean. This is why I didn't like this ep.
no subject
Date: 2012-10-07 04:54 pm (UTC)no subject
Date: 2012-10-07 05:11 pm (UTC)no subject
Date: 2012-10-07 06:07 pm (UTC)no subject
Date: 2012-10-07 09:44 pm (UTC)I seriously had the same thoughts about how some things in the premiere seemed eerily familiar to earlier scenes.
#5. Very good point! (and yes, epic love story :D) I can't help but wonder if Amelia will turn out to have ulterior motives somehow. I'm sure this isn't the last we'll see of her, and maybe I'm just overthinking and she could be someone totally benign - but I am very curious. Did you see that shadowed figure watching her in bed when Sam left? I still wonder who that was... Dean or someone else? Hmmm...
#7. I love Sam's "who, me?" Face!